Because the payment is a royalty, and the royalty article of the treaty between your publisher's country and yours generally lets the source country tax it at the point of payment. The publisher acts as withholding agent, so the deduction happens before you see the money and is not a judgement about your own tax position. Two things decide whether the amount taken is right: whether the payment is genuinely a royalty rather than a fee for services, and whether you gave the publisher the residence certification the treaty rate depends on. Without that certification, most payers apply their domestic statutory rate instead of the treaty rate.
How are authors & screenwriters taxed across borders?
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Royalties are taxed under the royalty article at source and again in the country of residence, and advances are sometimes treated as royalties and sometimes as services income. A provision that applies to this occupation and not the one beside it is what changes the answer.
The rule for this group
Royalties are taxed under the royalty article at source and again in the country of residence, and advances are sometimes treated as royalties and sometimes as services income.

When it does not bind you
My publisher withholds abroad and my home country will not credit it.
What to do next
The full treatment — who it binds, the deadline, the penalty and the fixed fee — is on Cross-border tax for authors & screenwriters. If a letter prompted this, bring the letter — it usually contains the answer to half the questions.
Checked and signed off for the 2025 and 2026 filing seasons by Udit Gupta, International Tax, Cross-Border Tax & Transfer Pricing Expert, Legal Quotient Consultants. General information, not advice for your circumstances — call our 24-hour helpline to discuss your own position.
Cross-border tax case studies
Splitting a single publishing contract between royalty and services income
A novelist signed one agreement that commissioned a manuscript and set the payment against future royalties. The publisher treated the whole sum as a royalty and withheld at its domestic rate. We read the delivery and recoupment clauses, apportioned the payment between the commissioned writing and the advance on royalties, and documented the reasoning by reference to the royalty article. The work produced a written position the author's home filing now follows, a refund claim at source for the part attributable to work performed at home, and a drafting note so the next contract states the split at the point of payment.
Read how this one runsReclaiming withholding applied at the domestic rate instead of the treaty rate
A screenwriter's overseas studio withheld at its statutory rate because no residence certification was on file. The home country credited only what the treaty permitted, leaving the excess stranded between two systems. We obtained the residence certification, filed the refund claim the source country provides for over-withheld royalties, and amended the home return to match the credit actually allowable. The engagement produced the recovered withholding, a corrected credit position at home, and certification lodged with the studio so later instalments are paid at the treaty rate rather than reclaimed a year afterwards.
Read how this one runsRebuilding years of untracked foreign rights income from agency statements
An author had received translation and foreign rights income through a chain of sub-agents for several years and had reported only the net sums reaching the bank. We reconstructed gross receipts, agency commission and tax withheld from remittance advices and collecting society statements, identified which payments carried foreign tax and which did not, and rewrote the affected years. The result was a filed set of corrected returns, a credit claim supported by evidence of the tax actually withheld, and a record-keeping routine that captures the gross figure as each statement arrives.
Read how this one runsDeciding whether a screenplay option is a royalty before signing
A writer was offered an option carrying rewrite obligations during the option period and an assignment of copyright on exercise. We advised before signature rather than after payment, separating the availability and rewrite element from the advance on the eventual assignment, and set out which country each part would be sourced to. The work produced drafting language naming the split in the agreement itself, a withholding treatment the studio's accounts department could apply without guessing, and a memorandum the author can hand to the payer if the treatment is questioned later.
Read how this one runsElecting to file on a net basis after gross withholding on royalties
A writer's foreign publisher had withheld on the gross royalty, taking no account of agency commission or the research costs behind the book. We established that the source country allows a non-resident to elect a net-basis return for that class of income, tested whether the profit position justified the extra filing, and prepared the election within the period available. The engagement produced a filed non-resident return, a recovered portion of the withholding, and a written note of the election and its deadline so the same claim is made on time in later years.
Read how this one runsResolving a home-country refusal to credit foreign royalty tax
A screenwriter's home revenue authority declined a credit on the basis that the writing was carried on at home and the income was therefore domestic-source. The foreign payer had withheld regardless. We set out the characterisation each country was applying, showed where the two positions diverged, and moved the claim to the country that had over-collected rather than pressing the credit at home. The work produced a source-country refund application, a written analysis of the sourcing conflict for the file, and an invoicing approach that keeps the two income streams distinguishable on the next contract.
Read how this one runsPaying a Dividend Up to a Foreign Parent
The withholding rate depends on the treaty, on the size of the holding, and on whether the parent is the beneficial owner rather than a conduit. Establishing all three before the payment is what secures the lower rate at source.
Read how this one runsA Canadian Employer With Staff in the United States
Employing someone in the US creates federal and state obligations that begin with registration, not with the first return. Which states are engaged is decided by where the work happens rather than where the company is.
Read how this one runsAll case studies — every published engagement in one place.
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A partnership is taxed in the hands of its partners, so one engagement abroad can reach every partner's personal return. The order matters: the waiver is applied for before the invoice, the presence is tracked before it becomes an establishment, and the payroll is registered before the first day worked in the other country.
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What people ask us about Authors & screenwriters
It depends on what the contract says the advance is for. An advance recoupable against future royalties usually takes the character of the royalties it will be set against, and is taxed under the royalty article. An advance paid for delivery of a manuscript, or for writing done to commission, looks more like income from services and is sourced to where you did the work. The distinction matters because the two are taxed by different countries, at different times, and relieved under different treaty articles. Read the recoupment clause before assuming either. Where one contract does both, the payment may need splitting.
Usually, but only so far as your own country accepts that the tax was properly imposed and that the income is foreign-source in its eyes. Two things commonly break the credit. First, the publisher withheld at its domestic rate when the treaty allowed less; your country will generally credit only the treaty amount and expect you to reclaim the excess at source. Second, your country may characterise the money differently, as business income from writing carried on at home, and then treat it as domestic-source, for which no foreign credit exists. The fix is usually a refund claim abroad, not a larger credit at home.
An option buys the right to acquire rights later, and its character follows what it buys. Where the option is an advance on an eventual assignment of copyright, it tends to be treated as a royalty and withheld on at source. Where it pays for your exclusive availability, or for rewrite work during the option period, it behaves as services income, sourced to where you worked rather than where the studio sits. Option and exercise payments under one agreement can therefore fall on different sides of that line, and the studio's accounts department will pick a single treatment for the lot. Say in writing which you consider correct when you sign.
Yes. Your obligation at home rests on what you received, not on whether the payer issued a statement you recognise. Foreign rights income often arrives through a sub-agent or a collecting society, net of a deduction described only in a statement in another language, so both the gross figure and the tax withheld have to be reconstructed from remittance advices and agency statements. Keep them, because a credit or a refund claim needs proof that tax was withheld and by whom. Where nothing was withheld, the income is still taxable at home; the absence of a slip is not the absence of a liability.
Often it is the only way to recover the excess. Withholding is applied to the gross payment, so it takes no account of the agent's commission, research costs, or the years of unpaid work behind the book, which means it routinely exceeds the tax that would be due on the profit. Several countries allow a non-resident to elect to file on a net basis and claim the difference back. Whether that election is open to you, and by when, depends on the country and on the character of the income. Weigh the likely refund against the cost of filing and any further obligations it brings.
Usually the country you are physically in, because employment income is generally sourced where the work is done, with your residence country taxing it as well if you are resident there and giving credit. Three things follow: your employer may acquire withholding and social security obligations where you sit, a treaty tie-breaker may be needed if both countries call you resident, and a short trip that becomes a long stay can cross a residence threshold nobody was watching. See remote workers and digital nomads.
As a sequence, stopping at the first test that gives an answer: where you have a permanent home available; if in both or neither, where your centre of vital interests is; then habitual abode; then nationality; and if all of those tie, the two tax authorities decide by agreement. It is evidential rather than elective — you do not choose your treaty residence, you demonstrate it, which makes the record of homes, family and time the substance of the claim. See tie-breaking dual residency.



